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Obie light

in
See camera light.

objectif

in
Lens in Franch, also in German (objektif).

objective

in
The component in an optical system (e.g., lens, that forms an image).

oblique angle

in
Shot where the camera is tilted laterally, often used to suggest imbalance. Also called Dutch angle.

off-camera

in
(1) The performer or subject out of the camer’s viewing range. (2) Narrator or commentator heard, but not seen. See VO.

off-line edit

in
Manual, noncomputerized video editing. Compare on-line edit.

off-mike

in
Performer speaking away from the microphone either to create a desired effect, or as the result of a mistake.

off-sync (out of sync)

in
Synchronization that is out of line.

Office National du Film du Canada (ONF)

in
See National Film Board of Canada—NFB.

offset

in
See interlace.

offset title

in
See drop shadow.

offstage

in
Off-camera.

ohms

in
A unit of measurement of the resistance to signal passing through a line.

OMAIDIRECTIONAL MICROPHONE

in
Auxiliary mic with the widest angle of receptivity, picking up sound from all directions.

omega loop/wrap

in
Magnetic tape wound around the drum in the shape of the Greek letter Ω. See also alpha loop and half loop.

omnidirectional

in
Responsive to sound from all directions.

Omnimax

in
Large-screen camera and projection system employing a 65 mm film in an IMAX and using a fish-eye lens for projection onto a dome-shaped screen. See IMAX.

on-line edit

in
Computer-assisted video editing in which the computer locates and lines up specific time-coded frames in the process of assembling a final cut. Compare off-line edit.

on-line editing

in
A high-end, high-resolution editing environment where projects can be finished at the highest quality possible.

on-screen sound

in
A sound emanating from a source that is visible within the frame.
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